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Yumiko Kurahashi : ウィキペディア英語版 | Yumiko Kurahashi
was a Japanese writer. Her married name was , but she wrote under her birth name. Her work was experimental and antirealist, questioning prevailing societal norms regarding sexual relations, violence, and social order. Her antinovels employed pastiche, parody, and other elements typical of postmodernist writing. ==Early life and studies== Kurahashi was born in Kami, Japan, the eldest daughter of Toshio and Misae Kurahashi.〔Chieko Irie Mulhern (1994). (Japanese women writers: a bio-critical sourcebook ). Page 199. Greenwood Publishing Group. ISBN 0-313-25486-9, ISBN 978-0-313-25486-4.〕 Her father was a family dentist in the town of Kami in Kōchi Prefecture on the island of Shikoku. After one year studying Japanese literature at the Kyoto University, she moved under pressure from her father to Tokyo to obtain a certificate as a dental hygienist and for medical training. Following her completion of the requirements to take the state exam for medical practice, however, she instead entered the Department of French Literature at Meiji University, where she studied under the guidance of Masanao Saito and attended lectures by prominent Japanese post-war literary figures such as Mitsuo Nakamura, Kenji Yoshida, and Ken Hirano. During her university years, Kurahashi was enthusiastically introduced to the body of modern literature, reading Rimbaud, Camus, Kafka, Blanchot, and Valéry. Her thesis was devoted to an analysis of Sartre's treatise ''Being and Nothingness''.
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